Önarckép (Self Portrait). 1919-1920
szén, papír, 318 x 240 cm
Magyar Nemzeti Galéria, Budapest
Önarckép / Self Portrait. 1919
Akvarell, 42 x 28 cm
Figurális kompozíció. c. 1920
Vegyes technika, papír, 38 x 51 cm
Landscape (Bridge at Óbuda Hajógyár?), 1918-19
Oil on acidic composition board
Földek. c.1920
gouache, papír, 215 x 290 mm
Magyar Nemzeti Galéria, Budapest
Gran pintura del ferrocarril, 1920
Óleo sobre lienzo, 100 x 77 cm
Museo Thyssen-Bornemisza, Madrid
Hidak/ Bridges. 1921
Collage, watercolour, India ink on paper, 33,5 x 25,3 cm
Nationalgalerie Staatliche Museen, Berlin
Collage, watercolour, India ink on paper, 33,5 x 25,3 cm
Nationalgalerie Staatliche Museen, Berlin
Composition c. 1921
linoleum cut
© Artists Rights Society (ARS), New York; VG Bild-Kunst, Bonn
Der Sturm. 1922
linoleum cut
Untitled construction. 1922
Untitled (Composition)
from the periodical Der Sturm, vol. 13, no. 1 (Jan 1923)
Construction. 1923
litograph
© Artists Rights Society (ARS), New York; VG Bild-Kunst, Bonn
Q, 1922/1923
collage with watercolor and pen and black ink over graphite on carbon paper
overall (approximate): 58.9 x 46.3 cm, Ailsa Mellon Bruce Fund
collage with watercolor and pen and black ink over graphite on carbon paper
overall (approximate): 58.9 x 46.3 cm, Ailsa Mellon Bruce Fund
Double Portrait, ca. 1923
Gelatin silver print, 31.6 x 27.3 cm
Gelatin silver print, 31.6 x 27.3 cm
Photogram. ca. 1924
gelatin silver print
40.0 x 47.8 cm.
gelatin silver print
40.0 x 47.8 cm.
A II, 1924.
Oil on canvas, 45 5/8 x 53 5/8 inches (115.8 x 136.5 cm).
Solomon R. Guggenheim Museum, New York
© 2009 Artist's Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Composition A XXI. 1925
AXL II, 1927.
Oil on canvas, 37 x 29 1/8 inches (94.1 x 73.9 cm).
Solomon R. Guggenheim Museum, New York
© 2009 Artist's Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Leda und der Schwan. 1925
gelatin silver photomontage with ink and pencil drawing
65.0 x 47.0 cm.
gelatin silver photomontage with ink and pencil drawing
65.0 x 47.0 cm.
George Eastman House
City Lights. 1926
Eifersucht. 1927
collage with photographic/photo-mechanical and drawn elements
63.8 x 56.1 cm.
collage with photographic/photo-mechanical and drawn elements
63.8 x 56.1 cm.
Siesta. 1926.
Gelatin silver print, 23.3 x 17.2 cm
Untitled. 1928.
Gelatin silver print, 38.1 x 26.8 cm.
Thomas Walther Collection.
© 2010 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
14 Bauhausbücher, 1928
Die neue Linie, September 1929
Letterpress, 12.4 x 9 cm.
Jan Tschichold Collection
Letterpress, 12.4 x 9 cm.
Jan Tschichold Collection
No title. c. 1930
vintage, gelatin silver print 11 x 14 cm
Composition, 1930-33
vintage, gelatin silver print
Sil I, 1933
Oil and incised lines on silberit, 50.00 x 20.00 cm
National Galleries of Scotland
Emery Paper collage. 1930
20.3 x 28,3 cm
Space Modulator L3. 1936
Oil on perforated zinc and composition board, with glass-headed pins, 43.8 x 48.6 cm.
The Museum of Modern Art, New York.
L & CH. 1936-39
Oil on canvas, 96.5 x 76.1 cm
Amgueddfa Cymru - National Museum Wales, Cardiff
Light painting on hinged celluloid, (position 1. 1936
gelatin silver print, 19.1 x 24.0 cm.
Special effects for the H.G. Wells - A. Korda film, "Things to Come". 1936
Photogram. 1939
gelatin silver print , 48.7 x 59.4 cm.
gelatin silver print , 48.7 x 59.4 cm.
Photogram. 1939.
Gelatin silver print (photogram), 50.2 x 40.1 cm.
© 2010 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Space Modulator, Red over Black. 1946
Oil on plastic
Leuk 5. 1946
oil and pencil on canvas 76.9 x 96.5 cm.
Smithsonian American Art Museum
*
Laszlo Moholy-Nagy believed that artists were "utopians of genius" capable of humanizing industry. In Leuk 5, he portrayed atomic structures with eerie beauty. This autobiographical painting refers to Moholy-Nagy's ambivalence about nuclear science, which led to the development of radiation treatments for his leukemia, but also to the invention of the atomic bomb. (Smithsonian Museum)
Light Prop for an Electric Stage (Light-Space Modulator), 1929-30.
Exhibition replica, constructed in 2006, through the courtesy of Hattula Moholy-Nagy., 2006
kinetic sculpture
Metal, plastics, glass, paint, and wood, with electric motor
151 x 70 x 70 cm (59 7/16 x 27 9/16 x 27 9/16 in.)
Exhibition replica, constructed in 2006, through the courtesy of Hattula Moholy-Nagy., 2006
kinetic sculpture
Metal, plastics, glass, paint, and wood, with electric motor
151 x 70 x 70 cm (59 7/16 x 27 9/16 x 27 9/16 in.)
Harvard Art Museum
Lucia Moholy (1894-1989): László Moholy-Nagy
Full-Length Standing Portrait, Dressed in Workman's Overalls,
Full-Length Standing Portrait, Dressed in Workman's Overalls,
at Entrance to His "Master's House" at Bauhaus in Dessau
1926
1926
László Moholy-Nagy, 1925–26
by Lucia Moholy (1894–1989)
Gelatin silver print
by Lucia Moholy (1894–1989)
Gelatin silver print
.
